Tag Archives: Sympathy For The Devil

DownTown Blog – The DownTown Demos

It seemed like an odd choice to release The DownTown Demos. I really didn’t think the sound of the demos would stack up against previous releases, mainly because they weren’t recorded in the studio. Well, technically the tracks were recorded in a studio to begin with, with the exception of Live. I did go into the studio to experiment with the Bong Bros. and cut close to 15 tracks. The results varied but I did have a blast working and recording the tracks. It was kind of like being the star of my own musical fantasy camp. Just me and my guitars alone in a recording studio, laying down as many tracks as possible.

When I was finished recording, I came home to listen to the results. There were a few tracks that I thought were very cool and decided to flesh them out a bit more, recording bass guitar and some extra guitars. I did this on my Tascam 8-Track Digital recorder, putting the studio mixes on Tks 1 & 2. This gave me 6 extra tracks to work with. Once I was finished overdubbing the extra tracks, I mixed the 8 tracks down to 2-Tk stereo. The last song I recorded was Live and that was the only song not recorded in the studio. I did it all on the 8-Tk.

One afternoon I decided to record something using the MP3 I had with beats. I got a killer guitar sound on my Stratocaster and recorded the instrumental version for Live, originally called Stratoblaster. All of the tracks sat around for a number of years until I decided to try and write lyrics and put melodies to some of them. I eventually would finish 3 of them by arranging the tracks of each song into verses and choruses. Then I would splice the parts together creating the entire song. Once again, I put the mix on Tks 1&2 of the 8-Tk, and then recorded my vocals. When I finished doing the vocals, I mixed them down to 2-Tk stereo.

1964 Strat

It was at the start of 2018 that I decided to finish writing the lyrics to The Wish, which in turn would be the starting point for the Better Day album. While working on the lyrics to The Wish I went back to my instrumental tracks and tried writing lyrics to a few of them. The 1st one would end up being Live. I thought the lyrics were very positive and life-affirming. Little did I know that about 10 months later I would be diagnosed with MDS, short for Myelodysplastic Syndrome, a pre-condition of Leukemia. As I’ve already chronicled here previously, I got a Stem Cell Transplant in May 2019, which is a cure for MDS.

The strange thing about the song Live was that I thought I wrote the lyrics after my transplant. It wasn’t until I went into my workbook when I was writing the lyrics to Shadow Walk that I saw the date for the lyrics of Live—January 2018! Talk about life imitating art!! They say that truth is stranger than fiction and here’s a case that bears that out. Somehow my subconscious was telling me I needed to have a positive frame of mind for something that was coming my way.

Shadow Walk is the other song with vocals on The DownTown Demos. I was originally going to call it Lucifer but thought that might be too provocative. I was having a bit of trouble with the lyrics until I realized the title of the instrumental track was Shadow Walk. I really like that title and in a way, it turned out to be what a song about Lucifer would be about. And no, I do not believe that Lucifer is Satan. That’s an old wive’s tale—The Fall of The Angels. He’s the Archangel with bad PR, made to be a scapegoat.

Now I know what you’re thinking because you’ve been taught that Lucifer is the Fallen Angel known as Satan. Remember, the Bible was written and compiled by humans. The fall of the angels is a metaphor to show how Lucifer lets his pride bring him down. But there’s something about the story that doesn’t ring true, which is that angels weren’t created that way. It’s a contrived story for the purposes of Religion. It’s humans who make judgments. It’s in our nature, not that of angels. The angels give selfless service to humanity. That’s why they exist. But there’s this one bad apple who rebels? Really?? I don’t think so. But I digress…

The other thing about writing a song called Lucifer was the problem of not wanting to say his name even though it’s written from his perspective. It then occurred to me to approach the song like The Stones did with Sympathy For The Devil, when Mick sings “hope you guess my name”. This gave me the idea to start the chorus with “do you know my name?” I wanted to conjure up the feeling of dread that would be present in a “shadow walk” with the music and lyrics. I try to end the song on a positive note by saying he will guide you back with his light. Lucifer means “shining light”.

If you look at the people I thank on the sleeve of the DownTown Mystic cd, you’ll notice I thank Viceroy & A Band of Angels on it. Viceroy is another name Lucifer goes by. Even he doesn’t want to say his own name because of the connotations associated with it! Shadow Walk refers to the dark side we are all capable of having. A “shadow walk” could refer to an addiction or a troubled soul. As I see it, from my experience, the Archangel Lucifer is there for humans on their “shadow walk”. He’s the Archangel of Fear and Despair, not something the other archangels raise their hands for. He holds a place for us without any judgment so that when we are ready to accept help, he’s there for us. Think about what he’s seen. It’s a scary place for sure, which is why the music is so foreboding. When it comes to the existence of “The Devil”, my sources in the Spirit Realm say it’s not so.

KoolSkool is a fun track. I had asked the Bong Bros. to create an old-school hip-hop beat for me and then played a rhythm to it on my acoustic guitar. There’s a song from years back by the Irish singer/songwriter Donovan called Goo Goo Barabajagal, which is strange enough. For some reason, the groove on KoolSkool brings Donovan’s song to my mind. When I listened to the track at home I thought I’d experiment with some lead guitars. The interesting thing for me on KoolSkool is the fact that I recorded 2 separate guitar parts that harmonize in spots with the exact same phrasing! It’s really wild because I don’t think I could have planned them that way. I remember feeling very fluid that day and just wanted to get my playing recorded. It was hearing the playback that blew my mind! LOL

The other instrumental is AcousticHeart. This is probably my favorite track from the recording sessions with the Bong Bros. and one of the few ideas I brought with me in advance. It’s a different kind of groove but it works so well, building as it goes. I’ve always liked the music and wanted to create a full song from it. After a number of attempts that fell short, I finally figured out a way to write the song. The new song is called When The Angels Sing and it’s quite special to me. The next studio album will be Biblical for sure. 🙂

DownTown Blog – Brian Jones: The Golden Stone

DownTown Mystic: Rock 'n' Roll Romantic DMysticBJCover

February 28, 2017 would have been the 75th birthday of the man who started The Rolling StonesBrian Jones, the man they called the Golden Stone because of his perfect blonde hair. There’s a reason why I wrote the song Brian Jones and why it’s the centerpiece on the Rock’n’Roll Romantic album.  The main reason for the song being at the heart of the album is that Brian epitomizes the Rock’n’Roll Romantic. Brian was the trendsetter for Swinging London in the 1960s. It’s been said that Brian lived the life that Mick and Keith only wrote about. For me, it was Brian Jones who caught my attention when I first saw The Stones, just as it had been John Lennon who I immediately gravitated to when first seeing The Beatles. Now there are 2 Bad Boys to idolize! ?

Brian Jones

There have been many books written about Brian’s short life and demise. The most recent is Paul Trynka’s excellent book, Brian Jones—The Making of The Rolling Stones. In the UK the book is called Sympathy for the Devil! One of the main points made in the book is that Brian was far more important in not only starting the band, but in the overall British Blues explosion that changed the UK music scene. I found it to be the best account of what it must have felt like being around The Stones in the early days. This was not a bunch of school chums getting together to form a band, but rather a group of individuals who could be very calculating with each other. For Brian, you get the feeling that none of them really had his back. But you also sense that Brian played a big part in setting that in motion.

Firebird

It feels a bit odd talking about Brian and The Stones as being together because the band has been around for so long as the current entity that it’s hard to picture Brian in this band. When you looked at The Stones, Brian was the odd man out. He was his own brand for sure. Even with Mick Jagger out front singing and bopping around, it was Brian who would catch your eye…by simply standing there! Over the years there’s been a good deal of revisionism in The Stones camp as it pertains to the band’s history, with Brian’s role being minimized to that of a bit player. The truth is something that has gotten, shall we say, muddled.

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The real story is an epic tragedy, almost Shakespearean in its unfolding. But as I write in my song Brian Jones, he did not understand his circumstances and certainly never took responsibility for his actions. He was a mojo man who fathered 6 kids with 6 different girls! He had an innate talent for playing musical instruments and he left a distinct imprint on the recordings that he played on. He gave The Stones sound an extra dimension that other bands didn’t have. But he also lived a decadent life, like nobody else around. They had to coin the term sex, drugs & rock’n’roll to describe his lifestyle!! ?

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There are many who put Brian’s downfall on Mick and Keith. Did Mick and Keith, along with manager Andrew Loog Oldham, deliberately plot against Brian to take the band away from him? Maybe…probably…but the reality was that The Stones wanted to be in the same arena as The Beatles. That meant they needed to write their own songs and become more pop oriented. Oldham’s choice of putting Mick & Keith together as the main writing team has proven to be an inspired one. Given the personalities involved, Brian certainly saw the writing on the wall for himself.

Brian with Vox Teardrop

In recent years it seems like there’s been a whole cottage industry that has sprung up around Brian. Many see him as a multi-talented hero who was “stabbed in the back” by his band, but part of the problem is that we always tend to see our idols or heroes in 2 dimensions. We see them live in concert or on TV, and we read what other people write about them. We don’t know them personally and what they’re really like, so we form our opinions based on assumptions based on a 2 dimensional portrait. There’s a whole school of “oh poor Brian” this and “oh poor Brian” that, but in the end we don’t really know him and what he brought on himself.

Brian with Gretsch Country Club

In his book, Paul Trynka writes that nobody saw much of Brian in the last year of his life. He went on drug binges for longer and longer stretches and had blackouts. He was seen nodding out on quite a few occasions, even in the studio when he did show up. Just look at the changes in his physical appearance from 1965 to 1968. He goes from being the trendsetter for the hip and beautiful people of Swinging London to an overweight drugged out mess in just 3 years! Take a look at the photos on Between The Buttons, one of my fave Stones albums. Brian looks totally out of it and disconnected from the rest of the band.

Brian with Les Paul

I think the real reason they shelved the Rock’n’Roll Circus TV show in 1968 (Brian’s last public appearance with the band) was because of Brian’s physical condition. He was a train wreck! Mick, Keith and Brian had already been busted by the police for drugs. They were public enemies to the UK Establishment, so the last thing that was needed, was for any of them to show up on BBC TV (the only TV in the UK) looking completely stoned! If you’ve ever been in a band with one of the members always being fucked up, you’ll know what I’m talking about. They’re unreliable and bring everyone down.  At any rate, whatever went down between them personally is their business.

Flash

I once spent an afternoon talking with David Dalton, a Stones biographer, about Brian. He said an interesting and somewhat telling thing—that Mick and Keith were very superstitious when it came to Brian and would get very uptight at the mention of his name. I’m sure, deep down, they harbor some guilt. As for all the conspiracies about murder in Brian’s death, he wasn’t murdered. When you look at the cast of unsavory characters who hung around Brian in the last weeks of his life, one thing is clear, he was the last person they would want dead. The main reason being, he was famous, and that was why they were there. If he was dead, no more hanging out with fame.

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However, I do think he died of un-natural causes on the night he joined the 27 Club. Before I continue, there’s 1 thing that can’t be emphasized enough—DRUGS. Since it was the 60s, there’s a kind of playing down of the amount of DRUGS that were being consumed back then. Like tee-hee (yes I used tee-hee), everybody was getting high back then…NO! The amount of drugs involved with this particular individual was almost inhuman. Brian took more and did more of everything in massive quantities. Eventually, this had a serious impact on him. So contrary to the lore about Brian being in shape and getting ready to form a super group with the likes of Hendrix, he had no interest or ability in forming another band.

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Brian was done. Brian had abused his body to such extent that all he needed was to have a nightcap and then float in his pool, that was heated at 80-90 degrees, nod off and float away. It’s real easy to fall asleep in a pool like that totally straight. Brian may have shown a bit of wear on the outside, but his inside was worse. The autopsy revealed that his liver was shot and that he had the flabby heart of a 60 year old man despite being only 27. I’d say that qualifies as un-natural! This is something that most people seem to overlook, his actual physical condition. He took drugs by the handful and drank on top of it, and everyone thought he was immortal. He wasn’t. There’s a physical toll to be paid.

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As I said earlier, there is a reason I wrote the song Brian Jones. I was in contact with his spirit when I wrote the song, and this was many years after his death when he was all but forgotten. No cottage industry, no Brian was murdered books being written. Of course, it’s hard to know when you’re in contact with the other side. For years I wondered about what I had written in the song and how I knew it. Paul Trynka’s book helped me to understand that I was right. That and a Channel, who I’ve been working with for about the last 8 years, have helped me to understand that I am also a Channel via my music. Things that came through in the song were not things I could have possibly known about at the time.

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Now I know I’m opening myself up to a good deal of skepticism, but this is my reality as an artist. I know ideas and creativity come from another place and that we are all capable of tapping into them if we are open enough to receive them. So I will share my experience with those who are open to it. In a recent Channeling session I asked to contact Brian and his spirit came through. I asked him (via Dr. Peebles) what happened on that night he died. Here is an MP3 of the session and you can draw your own conclusions:

 

It’s somewhat ironic that it’s the conspiracy theories have helped to keep Brian’s name alive and create a legend. “The Truth will set you free”. On the day of what would have been Brian’s 75th birthday, I want the Truth to be known by those with ears to hear it. In his short life, Brian burned bright and then burned out like a comet falling to earth. He deserves to be remembered in a Good Light, as a true Rock’n’Roll Romantic. ?