Tag Archives: Stephen Stills

DownTown Blog – 10 Albums That Influenced DownTown Mystic

courtesy of @markmaryanovich

I recently wrote a Featured article for Goldmine Magazine where I had to pick my Top 10 albums that had an influence on my music. As you might imagine, it was not an easy assignment. Trying to narrow down all the great albums that had an influence to only 10 required a good deal of thought. 1964-1972 were the years for the albums that I chose, and we all know how many great albums were made in that time period!

The albums are listed from 1 to 10 in order of the year they were made. This means in the order that I heard them and not in the order of importance.

The BeatlesA Hard Day’s Night (1964)

This is the first album that John (Lennon) and Paul (McCartney) wrote all the songs. In the U.S. we only got half a side of Beatles, and the other side was instrumental music from the film. RIPOFF!! Years later I bought a new stereo and decided to buy all the English albums (on vinyl) to experience the records the way The Beatles made them. I started buying their import albums on Parlophone but got an import Hard Day’s Night album from Japan. It sounded amazing. I couldn’t believe how bad the Capitol records sounded in comparison. Side 2 is pure Beatles 1964. This album shows how much John dictated the grooves with his rhythm playing. This is how I learned rhythm guitar from the master himself! Lennon’s “If I Fell” is pure and simple genius. I started writing songs because of this record.

The BeatlesRevolver (U.K. 1966)

Revolver is widely considered to be The Beatles best album, for sheer creativity and innovation. Nothing sounded like this before. Lennon called it their “guitar record” which makes it even better to me. This was their idea of hipper rock and roll in 1966. It certainly had an impact on me and my psyche as to how I listened to records and my taste in music. I also include the “Paperback Writer”/“Rain”single as part of the album. The Beatles would always record and release a single before an upcoming album, usually months in advance, and hearing this single when it was released was AMAZING!!

The BeatlesYesterday and Today (U.S. 1966) 

Note: DOES NOT COUNT AS 1 OF THE 10 ALBUMS!!)

I had to mention the Yesterday and Today album on Capitol because THIS was probably my favorite Beatles album. This is the album with the infamous “Butcher’s cover.” It starts off with “Drive My Car! We didn’t know that this was the first track on the U.K. Rubber Soul album because Capitol took “I’ve Just Seen a Face from Side 2 of the U.K. Help album and made it the first track on the U.S. Rubber Soul album! Even crazier, Capitol took three tracks from the UNRELEASED U.K. Revolver album and put them on Yesterday and Today, which is why I loved this record! I wasn’t that knocked out by Revolver when it came out three months later because it was missing thee of my all-time fave Beatles songs. That’s when I found out from a friend, who got an import of the U.K. Revolver on Parlophone with 14 songs, that the U.S. releases were BOGUS!!! Capitol got the message from the Butcher cover and stopped f–king with their releases.

The Rolling StonesAftermath (1966)

This is the first Stones album that Mick (Jagger) and Keith (Richards) wrote all the songs. It features band founder Brian Jones as “the soul of the band” with his amazing musical skills on full display. Without his added musical colorings to songs, playing a variety of instruments, there would be no Stones. I’m partial to the U.K. release. Classic tracks like “Under My Thumb.” “Mother’s Little Helper” (U.K.), “Paint It Black” (U.S.), and the 11-minute opus “Going Home.” That’s right, The Stones put out an 11-minute track in the pop world of 1966. I could always count on The Stones to show me where rock and roll was at when the music world was following whatever The Beatles released.

Jimi HendrixAxis: Bold as Love (1967)

I know his first album Are You Experienced made him a star and has his greatest hits on it, but it’s his second album Axis: Bold as Lovethat was a strong influence on me. I also believe that it was Jimi’s serious effort to showcase his songwriting. It’s a masterclass in subtlety featuring some of his best guitar work. His playing on this record taught me that there was more to guitar than just shredding. Songs like “Castles Made of Sand,” “Little Wing” and “If 6 was 9” are brilliant. Another example of hip sounding rock that influenced my taste and sensibility about what rock could be.

Crosby, Stills & NashCrosby, Stills & Nash (1969 Debut)

This record probably had as much impact on me as any record I’ve ever heard. Hearing it for the first time was unbelievable! The vocals and Stephen Stills guitars changed my life and my music. My songwriting was heavily influenced, as was my acoustic guitar and harmonies. I’m growing up and here’s this grown up, mature music. “Suite: Judy Blue Eyes” is a masterpiece in writing, arranging and performing. There’s never been anything like it, before or since. I had been a fan of Stills work in Buffalo Springfield and this record is his and the payoff of the potential he showed in the Springfield.

The BeatlesAbbey Road (1969)

The final album. This is The Beatles at their best, considered to be the height of their professionalism, in regard to recording. It’s a perfect record that lets the band leave on a very high note. Side 2 pushes the album as an art form to new heights. It’s progressive in sound and scope and laid the groundwork for what was to come like Pink Floyd’s Dark Side of The Moon.

Leon RussellLeon Russell (1970)

This is the album that got me into playing piano. Leon was “The master of time and Space”, especially in 1970. He was the “sideman’s sideman”, having been a fixture in L.A.’s Wrecking Crew that had the top studio session players in the 1960s. This album was his coming out party to the rock and roll world. He was the hottest in-demand player on the planet and this record helped to cement his reputation. Honorable Mention: Elton John – Tumbleweed Connection (1970)

Dave MasonAlone Together (1970)

This was a huge record at the time of its release, and I can’t underestimate its impact on me. Dave Mason had left the original Traffic and put this out, his first solo record with its multi-color vinyl. The songwriting is stellar and features a band with Leon Russell playing piano. I was always interested in rock and roll records that made new statements on the genre and this was one of them.

Rod StewartEvery Picture Tells a Story (1971)

This was Rod the Mod’s big breakthrough record. It features the stellar guitar work of Ronnie Lane and like Dave Mason’s record, it was a big rock and roll statement. I was into acoustic guitar and this record used the acoustic guitar as integral part of rock and roll in new ways. “Maggie May was the hit that broke the record but it’s the title track that is an epic rock and roll track for the ages.

Joe Walsh – Barnstorm (1972)

This album was a mindblower. I knew of Walsh from his James Gang records and heard he had a new band called Barnstorm. I searched down the record and couldn’t believe what I heard when I put it on. This record was next level, and I wasn’t expecting it from Joe Walsh. It’s progressive in its overall style and takes rock in another direction. It would come out a few months before another progressive classic—Dark Side of The Moon. In fact, there’s this weird acoustic piece that I swear Pink Floyd used on their album. Barnstorm had a real impact on me production-wise and I know I became more and more interested in producing after hearing this record

As you might imagine, there were so many great albums that had an impact on me and choosing only 10 was nearly impossible. But when I think of my influences and how they were shaped, I think these 10 albums come as close as anything. Can you name 10 albums that had the same impact on you and your tastes? Think about all that music you’ve listened to. Try it sometime. It ain’t easy!! 😊

DownTown Blog – 21st Century Rock’n Roll

I decided to make a statement with the release of 21st Century Rock’n Roll. I’m releasing it the day before my 70th Birthday…so how’s that for a statement? Being an artist is not what it used to be, or is it? It’s not like it was in the 20th Century, that’s for sure. More importantly, I wanted to make a statement with regards to the current state of Rock’n Roll.

Right now, as far as the venerable genre goes, the only thing I can see out there are The Rolling Stones, speaking of venerable. I look at this as a good thing because it helps me make a case for 21st Century Rock’n Roll. The Stones are really the only band keeping RnR alive. Why 21st Century Rock’n Roll? Well, despite being compared to classic rock artists like Tom Petty and sometimes being classified as classic rock (really?), I don’t think my music could exist at any other time than now. There might have been a few years in the early 80s for a few of the songs, but on the whole I don’t seem to fit in any other time than the 21st Century.

The truth is I don’t really sound like anyone out there. My shorthand for my influences is Buffalo Springfield meets Rockpile. These are not 2 bands that sound like each other and were certainly not as big in their day, but both were highly influential. From the 60s, Buffalo Springfield spawned Stephen Stills and Neil Young and led to CSN/CSNY. Richie Furay and Jim Messina left to form Country Rock pioneers Poco. All of these artists and groups had a big influence on my playing and writing. In the 80s, Rockpile, formed by Dave Edmunds and Nick Lowe, were at the forefront of New Wave. It was at a Rockpile show in Asbury Park, NJ that inspired me to create DownTown Mystic, albeit years later.

To make my RnR statement on 21st Century Rock’n Roll, I chose what I would consider to be my most rocking songs. These are not necessarily all my best songs but they are mainly my most rocking ones. Most are up-tempo. I like to think that I probably put out the most up-tempo tracks out there. Up-tempo tracks are generally considered harder to play and require a certain amount of skill from the musicians. Rockpile was an up-tempo kind of band, with great players, which is probably why I favor them. Of course, The Beatles were also a huge influence and I always looked forward to what new up-tempo songs they would record.

Ben Elliott

The other thing about this release is my chance to honor the late Ben Elliott, who was my engineer for 20 years. He sadly passed away in April 2020 as did his beloved Showplace Studios. Ben’s as much a part of 21st Century Rock’n Roll because his sound is on display. Our goal was to make records and I know we succeeded with these tracks. Just ask anyone who has tried to write and record Rock’n Roll. It’s not as easy as it looks. It’s all about great sound and getting that sound. Ben was a master at it. It’s definitely the end of an era for me, which is probably the main reason for releasing 21st Century Rock’n Roll.

To have these tracks that Ben engineered, at this point in time, is truly a blessing. It’s no surprise that Keith Richards name would also come up now. I mean, why wouldn’t Keith Richards name come up when you’re talking about Rock’n Roll? Keith Richards, the architect of The Rolling Stones brand of RnR and myself, have something in common. That something is actually someone, namely Ben Elliott. Keith met Ben at Showplace when Ben was working on Howling Wolf’s guitar man, Hubert Sumlin’s album About Them Shoes. It was sort of a tribute to the guitarist featuring Keith, Eric Clapton and Levon Helm among others.

Ben & Keith (photo courtesy Arnie Goodman Photography)

Ben must have hit it off with the Stone s legend because soon after, Keith hired Ben to be his personal engineer at his Stamford, CT home studio. Ben’s stories about working at Keith’s were hilarious as well as interesting. I think the other thing I have in common with Keith Richards is our love of all things GUITAR. My recordings are all about GUITARS as are Keith’s. The other thing is the SOUND. You can’t have one without the other when it comes to recording them. Keith knows something about sound, as well as guitars, and that’s why he had Ben as his engineer.

To me, Keith Richards is synonymous with RnR. If there was only one photo to have next to the definition of RnR, it would be of Keith’s face. Even before Chuck Berry and that’s saying something! Keith has doled out far more riffs than anybody I can think of that have any meaning. Yes, Chuck is the Father of RnR but it’s the Son who took it further. Keith took it to another level as an artist, particularly as a Recording Artist. That’s also something Ben Elliott gave me. I became a Recording Artist because of Ben and I will always be grateful to him for that.

Ben & Robert