Tag Archives: DownTown Mystic

DownTown Blog – Being #1

Rock'n'Roll Romantic Cover

Rock’n’Roll Romantic Cover

The only problem with being #1 is there’s no place to go but down. I should know. Recently DownTown Mystic was #1 for 3 weeks in Europe and this is the 1st time I’ve had a chance to talk about it. Being #1 is kind of odd because it’s not something you expect to happen. Also, when you say you’re #1, people start to think you’re bragging. I mean you can talk about rising up a chart all you want and nobody seems to have a problem with that. But once you hit #1, all bets are off. 🙂

DownTown Mystic gets a good deal of radio airplay around the world, especially in Europe. But outside of landing on the Euro/Americana Chart in 2010, there weren’t too many charts to talk about there. Last year I decided I would release the Rock’nRoll Romantic album. The big question for me would be how to go about promoting it. I thought I would test the waters at Radio in Europe with a single and released Turn Around and Go.

To my surprise, the single entered the Official European Independent Music Chart at #18 and then #14 a week later. By the 3rd week, the song disappeared altogether. Now this chart is only a Top 20 chart, and musically, it’s primarily Pop/Top 40 kind of tracks (think Euro-Dance, Hip-Hop, etc.). Needless to say, I felt quite good about this since I believe my brand of Roots/RnR can compete, if given a chance. Given that the other songs on the chart were more pop-oriented, I put out 2 more singles that I thought were more Pop (and stronger sounding), but didn’t get bupkis…nada…zilch…zero. This was even more surprising to me. lol

Sometimes things happen…really bad things that seem so senseless. In mid-November 2015 the horrible Paris Attacks occurred. Like everyone else in the world, there’s a feeling of helplessness when anything so inconceivable happens. 9/11 was like that for us here in the US. As an artist you feel the need to create something that can have meaning for people in these circumstances. I didn’t write anything in response to the attacks but I did have a song that was apropos and had a hopeful message. I put it in the back of my mind.

When January 2016 came around I decided to release the song as a single in Europe, knowing that many of the stations that reported to this chart were in France and Belgium. Being that the attacks were still fresh in everyone’s mind, I felt that if I had one song that could indirectly address the situation, this song would be my choice. The song was Way to Know, a straight ahead rocker with a message that doesn’t hit the listener over the head. There’s a subtlety to the lyrics that can be looked at from a number of different perspectives.

Ironically, it had already been at #1 on a US Indie Chart. I had released a digital EP last summer called DownTown Mystic on E Street, which had Way to Know on it. The EP features Max Weinberg & Garry Tallent, the RnR Hall of Fame rhythm section from The E Street Band and had not been released in Europe. So I was bringing my “A” game!

I released Way to Know in January and it was kind of amazing to be truthful. About the 3rd week of January it entered the chart at #19. Here’s the even stranger part for me…there was NO PROMOTION. You can’t hire anybody or email anybody to promote your track. It’s all done by the listening audience who text in their votes. This was really crazy and all happening to DownTown Mystic in Europe. I had to believe that song was connecting with that audience at least on a subliminal level.

The higher I went on the chart the tougher it got. By the 4th week I was at #10 and I was good to go. Now I could drop off the chart and feel real good about making the Top 10. But then it got crazier. The song kept creeping up the chart and now I was starting to get hooked on it. #8, #7, #6, #5 and then to #3. Top 3?? For real?? This is amazing!! Every week people are voting for DownTown Mystic and the numbers keep getting better! 🙂

Meanwhile, I was starting to promote the DownTown Nashville release at US Americana Radio. DownTown Mystic would debut in the Top 5 Most Added on the AMA Chart in the 1st week of release! That had never happened before. Am I on a roll or what? I know it seems nuts to have 2 different releases on 2 different continents going on at the same time but I never expected the success in Europe to continue! I was at #7 when I mailed out DownTown Nashville to Americana Radio and thought it was all over.

But I still wasn’t done in Europe. The following week Way To Know moved up another spot for the 10th straight week to #2 and then stayed there for another week…2 straight weeks at #2 and I was a basket case. I was content with #10 and that was over a month ago! Will I ever get to #1 or will the slow torture continue? The song in front of Way To Know at #1 is some pop song by a French singer, but I can see that I’m gaining on him in the voting.

Week # 12 it happens—DownTown MysticWay To Know #1 UNBELIEVABLE!!! 🙂

DownTown Mystic had been on this radio chart for 3 months and had finally reached #1. Now what happens? I mean, where do you go from #1? I have to say it was far more exciting climbing the chart than arriving at that exalted place…but I’d be lying if I didn’t think being #1 is very cool!! 🙂

Way To Know spent 2 more weeks at #1 and then went back to #2. I knew it was over. I had become an action junkie and now the action was over. OMG! lol There was no place to go but back down the chart. Boo hoo…don’t cry for me Argentina. DownTown Mystic spent the first 4 months of 2016 on the Official European Independent Music Chart, going all the way to #1 against all odds. My hope is that the music had an impact with the listeners and gave them a feeling of something positive against a backdrop of tragic events. 🙂

DownTown Blog – DownTown Nashville

DownTown-Nashville-Cover

Nashville has always held a fascination for me, long before I ever went there. It’s not called Music City for nothing and I love the city’s vibe. It feels like a small town and music permeates everywhere. There’s no other place like it. Steve Earle called Nashville Guitar Town and I’ve long been a fan of the many great players that ply their trade there. Some of these players’ names are not well known outside the city limits but their presence is felt around the world.

To the world at large, Nashville is a symbol for Country Music, but I like to think it’s a symbol of something more powerful beyond being just an Industry town where Music is the main commodity. The new EP DownTown Nashville is an homage to the city and the music that’s been made there. The spirit of Nashville has infused my songs for many years, as evidenced by the 6 songs that are presented on this release.

Sometimes Wrong

I originally wrote Sometimes Wrong for a female artist, since many of the Divine Feminine would cry on my shoulder and wonder why they “always picked the wrong guy”. I only had to change the words HE to SHE to make it work for a male artist, although it’s not easy for a guy to start a song singing “last night I cried”. But on the plus side, women tend to like a guy who can show his feminine side. 🙂  I recorded a demo of this song with Garry Tallent & Max Weinberg on the DownTown Mystic on E Street release last year. We tried to rock it up but it didn’t quite work for me so I went back to the way I wrote the song. I’ve always been a big fan of Don Everly’s rhythm guitar style and give a tip of my hat to him with the acoustic guitar start. I was also a big fan of Foster & Lloyd and I feel like some of their work rubbed off on Sometimes Wrong.

Rise and Fall

Let’s face it, the Eagles big comeback in the 90s was mostly due to the impact they had on the artists in Nashville. There’s always been a strong Nashville-LA connection, and it’s had a big impact on my music, especially when it comes to guitars and harmonies. A good deal of that comes from listening to those great Eagles songs written by Glenn Frey & Don Henley, as well as their co-conspirators JD Souther and Jackson Browne. Many of their best work elevated things to mythological levels like the Hotel California or the she-devil Witchy Woman. Their myth-making inspired me to write Rise and Fall. I don’t know why, but for some reason, men are drawn to those she-devils like moths to a flame. We’re gluttons for punishment…yeah, hurt me baby! 🙂

Backdoor

Speaking of She-Devils, the guitar player usually gets the girl, but be careful what you wish for. You never know people’s sexual proclivities and our hero learns the joke’s on him in Backdoor. Speaking of guitar players, John Sebastian wrote Nashville Cats about all the great guitar pickers down in Nashville and I’ve always loved the songs that featured hot guitar licks. All those songs left their impression on my consciousness and certainly inspired me on Backdoor. Former Nashville (via Bama) studio ace Lance Doss lent a helping hand on lap steel to bring out the flavor for me. Believe it or not, Backdoor actually started as a bluegrass song. But let’s face it, rock’n’roll is sexier than bluegrass, so I had to rock it out. I tried for years to find the right groove and finally heard a song by The Tractors that helped me to get it right.

https://soundcloud.com/shalaman/losing-my-mind-too-many-times-downtown-mystic?in=shalaman/sets/downtown-nashville

Losing My Mind (Too Many Times)

There’s nothing better than writing a song filled with righteous indignation when you can’t take it any longer and need to vent. Losing My Mind is just that type of song and it evokes Steve Earle for me. His Guitar Town record was a big influence and I have to thank him for making Nashville that mythological place for me. I know Garry Tallent played bass on Steve’s Copperhead Road and I remember meeting Steve’s wife Teresa Ensenat (I think she was #5 at the time) in LA, where she had an A&R gig. I could not imagine them being in the same room let alone being married, but I guess that’s Steve for you. 🙂  I like to think some of his magic rubbed off on me for Losing My Mind, which features some killer guitar work from Lance Doss.

https://soundcloud.com/shalaman/believe-downtown-mystic?in=shalaman/sets/downtown-nashville

Believe

Sony Music put out a Country Hits Compilation cd in Germany featuring a Who’s Who of Nashville. We’re talking Carrie Underwood, Luke Bryan, Blake Shelton, Miranda Lambert, Kenny Chesney, Jason Aldean, Eric Church, Zac Brown, Dierks Bentley…you get the picture. I had a cd out in Europe via Sony and by a stroke of luck, Believe got the final slot. I later learned that John Mayer had refused permission to use his song, so DownTown Mystic got the nod. I can’t tell you how exciting it was to see my name on that cd! It made me want to be in Nashville and was probably the impetus for this release. It also allowed me to hear how my song stacked up and was pleasantly surprised. Of course, compared to my vocal, any one of those other artists would have a smash if they cut Believe. 🙂

Shade of White Bluegrass

I’ve always had a place in my heart for Bluegrass. From Bill Monroe to Ricky Skaggs and everyone in between I can’t help myself when I hear those pickers. As far as I’m concerned, Bluegrass is Happy Music! I love playing it when I get the chance because it is simply so much fun! I originally wrote Shade of White as a country rocker about this painting I have hanging over my bed. After we cut the basic track I realized I had made a mistake with the arrangement and the groove. But the track was so upbeat and sounded so good that I decided to go with the flow. Voilà—Shade of White Bluegrass! 🙂

Steve, Robert & Paul

Steve, Robert & Paul

One of the great things about making DownTown Nashville was getting to record the songs with Steve Holley and Paul Page. Going from Bruce Springsteen’s E Street Band rhythm section to Ian Hunter’s Rant Band rhythm section is like being in Rock’n’Roll Heaven. It just doesn’t get any better than that for me. Drummer Steve Holley is a NYC legend, having played with just about everyone, including Rock Royalty like Sir Paul McCartney and Sir Elton John. With a resume like that and always being in demand, it would be very easy for him to just give the basics of what’s needed and move on to the next gig.

Steve Holley

Steve Holley

But that’s not Steve Holley’s style. He comes prepared and gives his full attention to the job at hand, including suggestions on how to approach or improve a track. It was Steve’s idea for the intro part on Sometimes Wrong that was so good I had to have it throughout the song. He’s great to watch behind the drums. When the playback comes in the booth I ask him how he feels about his take. If he’s fine with it, then we move on to the next song. If he feels he wants to do another take, then we do another take.  🙂

Paul Page

Paul Page

Now add the Urban Legend Paul Page into the mix and you have the Dynamic Duo. Paul & Steve work so well in tandem that it’s like a fine piece of machinery humming along on all cylinders. Having worked with them a few times now I’m always amazed at the quality of the parts they put down on tape. I mean they’re great players and that’s a given. But what really make them great are the actual parts they create. As a recording artist I’m trying to create magic in the studio that will find its way onto the tape, and somehow, Steve and Paul make it happen in ways that are not planned. That’s real magic! 🙂

 

DownTown Blog – 2015: It Was a Very Good Year

DMystic E Street Cover

Another year has come and gone. For some, it went far too quickly. For others, it didn’t go quick enough. At any rate, it’s time for a year in review. For DownTown Mystic, 2015 will go down as a very good year to remember. New things were attempted with positive results.

There were 3 DownTown Mystic releases in 2015. Each release came out with a new season, which was a 1st. The Turn Around and Go Digital Single was released in the spring for the Vernal Equinox. The DownTown Mystic on E Street EP was released at the start of summer for the Summer Solstice. And the Soul’d Out Single finished the year as a late fall/early winter release. Why? Who knows, it just felt right. 🙂

Of course, the main reason for these releases was to help promote and get the word out about the upcoming Rock’n’Roll Romantic album. By now it would seem to be common knowledge and accepted practice on the Internet that releasing a full album is a fruitless venture (unless you’re Taylor Swift or Adele). Why release 10-12 songs at one time when you could release the same number of songs over 10-12 months (if you wanted to stretch it out, say 1 new song every 2 months)? The point being that you keep new material coming out regularly to your fan base. An album is one shot and then nothing again for 2-3 years. You could lose fans in that period if you don’t stay in front of them.

Rock'n'Roll Romantic Cover

Rock’n’Roll Romantic Cover

So I opted for the Digital Single option, which is generally 1-4 songs on a release. I did that back in 2013 when I released 3 singles before releasing the self-titled DownTown Mystic album and had great results. The main difference this time was that I was committing myself to help bring Rock’nRoll into the 21st century. So the 1st place I made a conscious effort was at Radio. Sha-La Music makes DownTown Mystic tracks available to Radio on the AirPlay Direct downloading platform. Since DownTown Mystic was listed as Americana, this would mean switching over to Rock.

Turn Around and Go was the 1st release in the Rock genre and the result was very successful, reaching #12 on the APD Global Rock Chart for the month of March. Sha-La released the single overseas and it reached #14 on the Official European Independent Music Chart. So 2015 was off to an auspicious start! The real question for me was what would I release as the next single?

I thought long and hard about it. There are 2 songs on Rock’n’Roll Romantic that have The E Street Band rhythm section—Garry Tallent and Max Weinberg on bass and drums. One of the songs called Hard Enough was on the Standing Still release in Europe. I had deliberately kept it off of the US release because I didn’t want to upstage the other musicians that played on all the other songs. That’s exactly what happened in Europe. All the reviews, which were quite good, focused on that one track with the E Streeters. So I knew what to expect here in the US.

With summer approaching I knew this would be the right time to put together and release the DownTown Mystic on E Street EP. Previously, Way To Know with Garry & Max had been released as a single from the DownTown Mystic album and it crossed over and hit #1 on the Roots Music Report Alt/Rock Chart in 2014! That was a career highlight, so it just seemed like the perfect moment to commemorate the sessions with Garry & Max.

Sha-La announced that the EP would be available to Radio via AirPlay Direct before the release date of June 22. On June 1st the EP went to #1 on the APD Global Rock Chart and stayed there for the entire month of June! This was an unprecedented success with the most downloads ever for a DownTown Mystic release. The single And You Know Why premiered the following week on The Vinyl District, the 1st time a DownTown Mystic single had a premiere. The reviews were terrific, easily making the E Street EP the high point of 2015.

https://soundcloud.com/shalaman/sets/downtown-mystic-on-e-street

Actually, DownTown Mystic on E Street was so successful it created a problem with what to do next. We thought by September, the EP would have run its course, but it had some legs. We wanted to get out another release before all the Christmas releases took over. So the decision was made to release the Soul’d Out Single in early November, despite having to still compete with the E Street EP. I guess that’s showbiz and not too bad of a problem to have. 🙂

The Soul’d Out Single was made available to Radio on AirPlay Direct in October before the official release date and once again, the strategy paid dividends. Soul’d Out would finish at #8 on the APD Global Rock Chart for the month of October. DownTown Mystic would finish 2015 appearing on the APD charts a total of 10 months. Once again, the single was premiered courtesy of The Vinyl District and the reviews have been very positive.

At this point 2015 had been a busy year, but October would hold a highlight that was not anticipated. In September we were informed that DownTown Mystic’s track No Exceptions had been selected to be in a movie called Cam Zink:Reach For The Sky. But it wasn’t until mid-October, when the film was released, that we got the chance to see and hear just how cool it was to be part of this wild indie film! The best part for us had to be when the ending credits rolled and we saw DownTown Mystic listed along with Pearl Jam and Social D!! We have to give a BIG THANKS to Writer/Director/Producer Ryan Cleek for including DownTown Mystic in his truly remarkable RnR piece of cinema! 🙂

Cam Zink:Reach For The Sky

Cam Zink:Reach For The Sky

The last 2 highlights of 2015 helped me finish the year feeling really good about the future. In October, one of my fave bands came to NYC to play the Mercury Lounge. It had been a couple of years since I’d seen the Band of Heathens and it was a very special night. BOH was as tight as ever, playing with precision and energy. The excellent set featured some new songs from the new album they’ve been recording and the big surprise was the RnR vibe! One of the songs would have made The Stones proud. 🙂

Band of Heathens-Mercury Lounge NYC

Band of Heathens-Mercury Lounge NYC

I caught up with the main Heathens, Ed Jurdi and Gordy Quist, who along with keyboardist Trevor Nealon talked about the new recording project. Gordy & Trevor in particular were very enthusiastic about the direction the new material was taking and I could feel their passion for it. After hearing the new songs in their set I can’t wait to hear the new BOH album in 2016 because it will be great to have some new RnR hit the Americana scene.

Robert with Gordy Quist & Ed Jurdi from Band of Heathens

Robert with Gordy Quist & Ed Jurdi from Band of Heathens

The last highlight came the following month a day after the Soul’d Out Single release date, and once again, I was back in NYC at the Mercury Lounge. Another of my fave bands was in town, The Bros. Landreth. Like BOH I’ve written about The Bros. Landreth in the pages of this blog. It had been over a year since I’d met up with them and the 1st person I saw was big brother Dave, who greeted me warmly at the door.

Robert and Dave Landreth from The Bros. Landreth

Robert and Dave Landreth from The Bros. Landreth

Later, younger brother Joey came in and gave me a big hug. He had slimmed down and looked to be in great shape. The band had just had to replace long time drummer Ryan Voth a few days earlier because life on the road had finally taken its toll on him. I asked about the new drummer and both Dave & Joey said to be the judge and let them know after the show. With that I went in the main room to get my place for the show.

The Bros. Landreth - Mercury Lounge NYC

The Bros. Landreth – Mercury Lounge NYC

The band did not disappoint. They were very tight and the guitar play between Joey and Ariel Posen was better than ever. As for new drummer Cody Iwasiuk, I think this was only the 2nd or 3rd show with him and he played like he’d been in the band forever. Afterwards, I got a chance to chat some more with Joey. Like The Band of Heathens, The Bros. Landreth are road warriors and just starting a new leg of a tour. He wasn’t too sure about when they would get the time to record their next album but I hope it won’t be too long. With that we hugged each other, said goodbye and looked forward to seeing each other sometime in the near future.

Robert with Joey Landreth from The Bros. Landreth

Robert with Joey Landreth from The Bros. Landreth

So 2015 is in the books and there was a lot to be grateful for. Looking forward to 2016 with the Rock’n’Roll Romantic album coming into view. Hopefully, there will be a few more surprises that will make the 2016 year in review worth remembering. 🙂

DownTown Blog – Soul’d Out: Brian Jones

Brian Jones Cover DMysticBJCover

In the last blog post I mentioned that the new Rock’n’Roll Romantic album would not be released this fall, as originally planned, but in 2016. This is basically due to the 4 going on 5 months that the DownTown Mystic on E Street EP has taken up. But that doesn’t mean that there won’t be another release before the end of the year. To help bridge the gap, Sha-La Music is releasing the Soul’d Out Single, which includes the legendary Brian Jones.

I’ve always been a Rock’n’Roll Romantic at heart. Love the sound of old recordings and the rhythm…it’s the rhythm of my life. There’s a certain sense of style and flair that goes with the music. When you come right down to it, it’s a love of all things HIP—music, clothes, sex, etc. It’s a certain frame of mind that helps to keep one young on the inside, if you follow. There’s a definite sense of “taste” associated with being a Rock’n’Roll Romantic.

Which brings me to “a man of wealth and taste”, the original Rock’n’Roll Romantic—Brian Jones, the man who formed The Rolling Stones. Brian was the trendsetter for Swinging London in the 1960s. It’s been said that Brian lived the life that Mick and Keith only wrote about. For me, it was Brian Jones who caught my attention when I first saw The Stones, just as it had been John Lennon who I immediately gravitated to when first seeing The Beatles. Now there are 2 Bad Boys to idolize! 🙂

Brian Jones

There have been many books written about Brian’s short life and demise. The most recent is Paul Trynka’s excellent book, Brian Jones—The Making of The Rolling Stones. In the UK the book is called Sympathy for the Devil! One of the main points made in the book is that Brian was far more important in not only starting the band, but in the overall British Blues explosion that changed the UK music scene. I found it to be the best account of what it must have felt like being around The Stones in the early days. This was not a bunch of school chums getting together to form a band, but rather a group of individuals who could be very calculating with each other. For Brian, you get the feeling that none of them really had his back. But you also sense that Brian played a big part in setting that in motion.

It feels a bit odd talking about Brian and The Stones as being together because the band has been around for so long as the current entity that it’s hard to picture Brian in this band. When you looked at The Stones, Brian was the odd man out. He was his own brand for sure. Even with Mick Jagger out front singing and bopping around, it was Brian who would catch your eye…by simply standing there! Over the years there’s been a good deal of revisionism in The Stones camp as it pertains to the band’s history, with Brian’s role being minimized to that of a bit player. The truth is something that has gotten, shall we say, muddled.

BJStones2

The real story is an epic tragedy, almost Shakespearean in its unfolding. But as I write in my song Brian Jones, he did not understand his circumstances and certainly never took responsibility for his actions. He was a mojo man who fathered 6 kids with 6 different girls! He had an innate talent for playing musical instruments and he left a distinct imprint on the recordings that he played on. He gave The Stones sound an extra dimension that other bands didn’t have. But he also lived a decadent life, like nobody else around. They had to coin the term sex, drugs & rock’n’roll to describe his lifestyle!! 🙂

There are many who put Brian’s downfall on Mick and Keith. Did Mick and Keith, along with manager Andrew Loog Oldham, deliberately plot against Brian to take the band away from him? Maybe…probably…but the reality was that The Stones wanted to be in the same arena as The Beatles. That meant they needed to write their own songs and become more pop oriented. Oldham’s choice of putting Mick & Keith together as the main writing team has proven to be an inspired one. Given the personalities involved, Brian certainly saw the writing on the wall for himself.

Brian with Gretsch Country Club

My views of Brian are well chronicled so I don’t need to elaborate on them here. But part of the problem is that we always tend to see our idols or heroes in 2 dimensions. We see them live in concert or on TV, and we read what other people write about them. We don’t know them personally and what they’re really like, so we form our opinions based on assumptions based on a 2 dimensional portrait. There’s a whole school of “oh poor Brian” this and “oh poor Brian” that, but in the end we don’t really know him and what he brought on himself.

In his book, Paul Trynka writes that nobody saw much of Brian in the last year of his life. He went on drug binges for longer and longer stretches and was seen nodding out on quite a few occasions, even in the studio when he did show up. Just look at the changes in his physical appearance from 1965 to 1968. He goes from being the trendsetter for the hip and beautiful people of Swinging London to an overweight drugged out mess in just 3 years! Take a look at the photos on Between The Buttons, one of my fave Stones albums. Brian looks totally out of it and disconnected from the rest of the band.

Brian with Les Paul

I think the real reason they shelved the Rock’n’Roll Circus TV show in 1968 (Brian’s last public appearance with the band) was because of Brian’s physical condition. He was a train wreck! Mick, Keith and Brian had already been busted by the police for drugs. They were public enemies to the UK Establishment, so the last thing that was needed, was for any of them to show up on BBC TV (the only TV in the UK) looking completely stoned! If you’ve ever been in a band with one of the members always being fucked up, you’ll know what I’m talking about. They’re unreliable and bring everyone down.  At any rate, whatever went down between them personally is their business.

I once spent an afternoon talking with David Dalton, a Stones biographer, about Brian. He said an interesting and somewhat telling thing—that Mick and Keith would get very uptight at the mention of Brian’s name. I’m sure, deep down, they harbor some guilt. As for all the conspiracies about murder in Brian’s death, I don’t think he was murdered. However, I do think he died of un-natural causes. Actually, I think 1 of 2 things occurred on the night he joined the 27 Club.

Flash

Before I continue, there’s 1 thing that can’t be emphasized enough—DRUGS. Since it was the 60s, there’s a kind of playing down of the amount of DRUGS that were being consumed back then. Like tee-hee (yes I used tee-hee), everybody was getting high back then…NO! The amount of drugs involved with this particular individual was almost inhuman. Brian took more and did more of everything in massive quantities. Eventually, this had a serious impact on him. So contrary to the lore about Brian being in shape and getting ready to form a super group with the likes of Hendrix, he had no interest or ability in forming another band.

Brian was done.

Scenario #1…Brian had abused his body to such extent that all he needed was to have a nightcap and then float in his pool, that was heated at 80-90 degrees, nod off and float away. It’s real easy to fall asleep in a pool like that totally straight. Brian may have shown a bit of wear on the outside, but his inside was worse. The autopsy revealed that his liver was shot and that he had the flabby heart of a 60 year old man despite being only 27. I’d say that qualifies as un-natural! This is something that most people seem to overlook, his actual physical condition. He took drugs by the handful and drank on top of it, and everyone thought he was immortal. He wasn’t. There’s a physical toll to be paid.

BrianFlag

Scenario #2, which feels right to me, and again, the 3rd dimension that most people don’t know…The Stones had been Brian’s band and he hung on as long as he could until they fired him. He was not going to quit and I think it really bothered him more than he might let on. He had to have known that they were going to play a free show in London’s Hyde Park in a couple of days to introduce his replacement—Mick Taylor. This had to have been eating at him. That event would make his firing official to the world. In his fragile frame of mind, I can see Brian thinking he could give Mick & Keith one final F U and steal their thunder by having his death in the headlines. He played his final card…or chord if you find it more poetic. 🙂

Nobody really knows what happened that fateful night, but murder seems unlikely. It’s somewhat ironic that the conspiracy theories have helped to keep Brian’s name alive and create a legend. One thing is known—in his short life, Brian burned bright and then burned out like a comet falling to earth in true Rock’n’Roll Romantic fashion. 🙂